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Telephone history series
Mobile telephone history
Telephone manual
Digital wireless basics
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Cellular telephone basics
Jade Clayton's pages
Dave Mock's pages
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Seattle Telephone Museum
Telecom clip art collection
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Britney & telephones
Bits and bytes
Packets and switching
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Sounds of a Step by Step Page
In cooperation with the Roseville
Telephone Museum (external link)
"We're open 10 a.m. - 4 p.m.
Monday through Fridays by appointment. We would love for you
to just stop by, but we can't promise to always be available,
so please call first!"
Please call 916.786.1621.
Write us at: Roseville
Telephone Museum 106 Vernon Street, Roseville, California 95678-2631

Off hook -- line finder noise -- Digits: 5 -- 5 --5
--6 -- 7 -- 5 -- 5 -- ring -- ring -- on hook -- reset
If things are going right, you're looking at a QuickTime sound
bar above this text. It should be displayed right on the page,
ready to go. This is a little different than the Old Days, say,
1998, when you may have needed to download a sound file first
before being able to play it. Wait for the black line to fill
before playing. What if nothing happens, even after three or
four minutes? Check your hard drive for a file named Stepper1.mov
, probably in your cache file. Run a 'Find' utility and find
out. You may then be able to run the sound file using another
progam, like Adobe Page Mill or an audio program. Or go back
to the previous page for sounds in a
wav format.
Clicking on the left hand arrow gets it going. Holding down
your pointer on the speaker icon raises or lowers the volume.
You can play it over and over. Listen for the line finder sound
at the beginning. I hope to put up a less compressed version
that lets you hear more details. That loud hum, by the way, is
the interruptor motor; I will record another version with its
noise reduced.
While you are waiting for the file to download, check out
a private line reader's response to the above picture, which
first appeared in private line Number 5:
Dear private line:
Just received my first issue of private line. Nice little publication
you have there. I think I shall be enjoying it very much in the
months ahead. A few comments, if I may. They regard the note
about the step by-step switch photograph on page 44 of issue
number 5. Rather than being "the" step-by-step switch,
there are also connectors, frequency selecting connectors, reverting
call connectors and toll selectors; the mechanical structure
below the relays being the common denominator construction. Actually
the switch shown is a line finder as evidenced by the single
horizontal wiper just below the ticket tag and the tenth level
overrun spring assembly in front of the A and C relays. Depending
on subscriber activity, 10 to 20 line finders are mounted on
a "shelf". The shelf, along with other "shelves"
are mounted on a "bay" or common hardware framework
which is 72" wide. The shelf is actually the "bank"
multiples at the bottom of the switch (they don't show well in
the photo) and the wiring. This is all factory pre-wired and
shipped as a unit. It is not unusual to see bays with partially
equipped shelves which allow for lower initial capital investment
and facilities to accommodate increased future traffic activity.
The can cover at the left of the photo contains supervisory relays
used for assigning the next finder to answer a call for dial
tone.
An interesting feature to me over the years has been that each
type of switching system (machine) has had its own distinct characteristic
sound signature. In a small rural office step-by-step is characterized
by intermittent bursts of staccato reports, 20 or more per second
if line finders, several groups of 10 per second as a call is
dialed through, followed by silence broken only by soft pulsing
of interrupter relays and occasional clicking of manually operated
toll ringing relays as an operator in the toll switchboard works
a call. It also is interesting to listen to call activity. There
will be silence broken by switching of a call. This invites a
second call which immediately begets a third call, followed by
silence again. And so it goes, sporadic outbursts followed by
silence.
A crossbar office on the other hand is a different experience.
Listening to a working crossbar office is like being shaken up
inside a can of loose bolts. It actually can be deafening, especially
in the vicinity of the sender groups or the markers. The crossbar
aisles are less noisy, punctuated occasionally by operation of
trunk block connector relays at bay tops and occasional soft
"tink" sounds as cross-points release. However, the
granddaddy of all bedlam was created by a room full of mechanical
foreign area card translators, especially on Mothers' Day! And
a very different sound was heard by those privileged to witness
call-through tests of a No.4 Toll Crossbar machine. These were
tests performed by the installation departments on completion
of wiring a machine and prior to turning it over to the operating
company. Every number that could ever possibly be placed in the
machine was called using groups of call test "tea wagons".
Any call that failed to complete properly was traced out and
corrected immediately. Each tea wagon would present twenty simultaneous
calls to the senders. The re lay activity through the office,
a city block square in size, had a never to-be-forgotten sound
that was like an echo as trunk block relays operated in sequence
trailing away to more distant link frame aisles. There would
be silence while the tea wagons did their thinking. Then every
call would be simultaneously dropped with a gigantic "thud"
and then the whole sequence would repeat.
My favorite switching machine sound however was the panel office.
If ever there was a machine with (if it can be called that),
a "comfortable" sound, it was a panel office. To me,
a panel machine was a collection of simply delightful "clinking",
"whirring" and "squeak, squeak, squeak" noises.
It was by far, the quietest of all the machines. The only noisy
areas, like crossbar, were those near sender, marker and decoder
bays. Unfortunately, today's generation of central office technicians
have never had the privilege of hearing these old machines doing
their thing. It's a part of the art that has come and gone. I'm
glad I was privileged to have heard them.
With reference to your "Lost In Space" column, attached
is a recent copy of the Bell Labs News. In it are phone numbers
and points of contact. Hope it is of some help to you. On the
back cover you show views of the old "500 Sub Set".
Mr. Bill Brander, a retired close friend who lives not too far
from here, did the first die drawings for the 500 model when
he worked at BTL in Murray Hill NJ.
John W. Sponsler Hampton, NH
Wasn't that a wonderful letter? And
again, for more details on stepper operation, go to Michael
Spalter's "Strowger Telecomms Page", the place for
all things step by step: http://www.seg.co.uk/telecomm
(external link)
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